The LA-based artist packed up a number of glass boxes and shipped them to various exhibitions and galleries across the country. The works, created to fit said boxes as proportionately as possible, were expected to endure a few bumps while on their way. The almost-shattered pieces were then carefully removed by gallery curators and then titled using the shipping date, tracking number, and box size. Beshty writes, “I considered this volume as my starting point; the perversity of a corporation owning a shape—not just the design of the object—and also the fact that the volume is actually separate from the box.” Check out some images of the works below and watching the video profiling the project below.
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